Audio Performance

The audio performance tests were done using Audio Rightmark 6.0.5 and a 3.5mm gold plated, oxygen free stereo loop back cable between stereo out and microphone input. Results were taken at the DVD sample rate of 16-bit/48KHz and High Definition 24-bit/96KHz.

What we're looking for:

  • Noise Level: A higher negative is better. This is usually viewed in relation to a signal level which provides a signal to noise ratio. As you get closer to zero there's more noise and lesser audio fidelity.
  • Frequency Response: Two values listing how close to the lower higher frequencies the codec can reach. If it hits them perfectly it'll display a 0, 0.
  • Dynamic Range: The difference between the loudest and quietest sounds the codec can make before it distorts them. The larger the gap, the better.
  • THD and IMD percentage: Closer to zero is better. THD and IMD are best looked at together, where as if you have a lot of THD and not much IMD, then it'll offer a warmer accurate sound. High THD and IMD provides a warm, inaccurate sound, low THD and high IMD gives a cold inaccurate sound and finally low THD and IMD gives a cold accurate sound.
  • IMD = intermodulation distortion and is a fancy way of saying conversion interpolation, which is a basic detection of the quality loss after an analogue to digital then digital to analogue conversion. By comparing it to a highly compressed source it shows up problems with the codec and converters.
  • THD = total harmonic distortion, which shows up unwanted harmonics; integer multiples of the original component sound that can be second, third, fourth degrees or overtones for example.
  • Stereo Crosstalk: where the stereo channels "talk" to each other and interact. Ideally you want them entirely separate, unmixed or echoed in either channel, so a higher negative a result as possible is preferred.

16-bit / 48KHz


XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance

Click to enlarge
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Crosstalk, Dynamic Range and Frequency Response
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Intermodulation Distortion, Intermodulation Distortion Swept and Noise Level
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Total Harmonic Distortion

24-bit / 96KHz


XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance

Click to enlarge
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Crosstalk, Dynamic Range and Frequency Response
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Intermodulation Distortion, Intermodulation Distortion Swept and Noise Level
XFX Nvidia nForce 790i Ultra SLI Subsystem Testing: Audio Performance
Total Harmonic Distortion

The sound quality is pretty decent – the board features the premium Realtek ALC885 codec which was also used on the nForce 780i and 680i SLI reference designs. On the other hand, the Asus Striker II Formula, like a lot of Asus Republic of Gamer boards features the ADI SoundMax 1988b codec on a separate PCB that reduces noise slightly giving it a slightly better quality.

We found the quality generally very good during our manual play-tests, although none really hold a candle to a discrete sound card – that's a difficult addition when you're limited to a single PCI-Express x1 slot that puts the card very close to the northbridge fan, if you were to use three-way SLI.
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